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'Self', Marc Quinn's visceral sculpture made of nine pints of his frozen blood, fast became one of the most recognisable works from Charles Saatchi’s collection of works by the "Young British Artists" in the 1990s.When it was first exhibited, it drew gasps of repulsion and admiration alike.It was bought for £300,000 by the NPG, with the help of The Art Fund, and Henry Moore Foundation, and it will be displayed in the gallery's permanent collection, in a case whose temperature is set at minus 18 degrees to prevent it from melting.Quinn said 'Self' had been driven by his desire "to push portraiture to an extreme, a representation which not only has the form of the sitter, but is actually made from the sitter's flesh." Quinn’s second 'Self', made in 1996, was bought by Texan collectors Cindy and Howard Rachofsky.Women who enjoy good childhood relationships with their fathers are more likely to select partners who resemble their dads, research suggests.In contrast, the team of psychologists revealed that women who have negative or less positive relationships were not attracted to men who looked like their male parents.Due to be published in the July issue of Evolution and Human Behaviour, the study investigated evidence of parental sexual imprinting, the sexual preference for individuals possessing parental characteristics, in women.The team used facial measurements to give a clear view of how fathers' facial features relate directly to the features of faces their daughters find attractive.
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Quinn, who said the work was inspired by Rembrandt's self portraits, refused to confirm whether the original had to be remade after the reported accident by Lawson, but said it was now fully in tact with its owner, the hedge fund billionaire, Steve Cohen, in New York.
This latest 'Self' shows Quinn looking older but wiser since his original from 1991 which took pride of place in Saatchi’s exhibition called 'Sensation' at the Royal Academy.
) By Matt Agorist During a meeting with the ONDCP, a Republican congressman asked a question that set off a conversation exposing the tyrannical nature of the drug war.